In A Piece of the Moon, we visit a world of familial bonds riddled with dreams, unmapped journeys, and divine interventions. Framed together as in a group photograph, each character is given a voice including the author who others himself as Dillan and remains omnipresent. Sitting with them as family members, we share food and listen to charismatic stories with asides from history, politics, World War II, and the partition of India. Within one frame, a collage of many frames breaks the linearity of the narrative. Time overlaps; past and present jostle for a third space; the ordinary becomes extraordinary; simple things assume archetypal shapes; and daily activities morph into parables. Dillan’s journey becomes a voyage into his inner darkness; and his autobiography, the Everman’s story. The camera clicks, and they all move out of the frame and fade slowly into the sepia of time.