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By
Lisa Gardner
Annabelle Granger spent her childhood on the run without ever knowing why. Years later, when six bodies are discovered on the grounds of an abandoned mental institution, a silver locket identifies one of the victims as . . . Annabelle Granger. A plot as intricately crafted as this one deserves a natural unfolding of events and motives. Unfortunately, in this abridgment there are too many passages of explication. The upside is a superior performance by Maggi-Meg Reed. Reed is expert at revealing every nuance and subtlety of character and plot. She makes the tense moments riveting.
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